• Many of the takes Joel has recorded are labelled incorrectly, or differently to mine, meaning the task of syncing up a specific video clip to a specific sound take has been highly time-consuming. I thusly concluded that I would achieve a rough picture cut before considering the sound. Another reason for this is that a lot of the sound in the film may be re-done in ADR. Jordan and Paul (the director and producer) have yet to decide which scenes needs ADR'ing, but it has been confirmed that at least some of the major scenes will be redone.
• Some of the better picture takes that have been put into the edit don't feature a supporting, external sound recording. Because the actors aren't professional by any means, their performances differ from take to take. This has meant that in some cases, I have had to implement a cut when a character speaks primarily because you can psychically see their mouth moving.
I have been told these will be re-done in ADR.
• The incorrectly labelled sound clips were due to the takes not being marked/slated by the director/cinematographer, so Joel was unsure on what take was being filmed. I am aware this is not entirely Joel's fault, as I told the group to ensure they marked every take.
Whilst piecing together a rough-cut, I have merged together the better video/audio takes. To do this I did the following -
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• Thirdly, I selected the corresponding videoclip and marked an 'in-point' |
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